Live music these days seems to incorporate a lot of pre-recorded material. A bunch of background singers lip-synching pre-recorded harmonies, musicians playing with a track (I'm not just talking click tracks but full band tracks). Pre-recorded lead vocals to support the lead vocalist's sound. I understand the need and/or preference for these things (i think) but how much of this takes away from the actual live music experience? I feel that part of the beauty of the live music experience are the imperfections. Are we so worried about these imperfections that we are willing to potentially sacrifice the "soul" of live instrumentation? Or should I just ignore the fact that every singer on stage sounds perfectly like the lead artist, with perfect reverb-heavy blend, and there aren't nearly enough instruments to produce the sounds and parts I'm hearing in the instrumentation? As an artist, where do I draw the line between authenticity and an industry standard performance? "Yo brotha, how'd you get your keyboard to sound like a horn line, police siren, orchestra and piano riff?" IDK <shrug> just talkin'
Friday, March 22, 2013
Live Music 2013... Uh I think it's live... Hold up wait a minute...
WDYT?:
Live music these days seems to incorporate a lot of pre-recorded material. A bunch of background singers lip-synching pre-recorded harmonies, musicians playing with a track (I'm not just talking click tracks but full band tracks). Pre-recorded lead vocals to support the lead vocalist's sound. I understand the need and/or preference for these things (i think) but how much of this takes away from the actual live music experience? I feel that part of the beauty of the live music experience are the imperfections. Are we so worried about these imperfections that we are willing to potentially sacrifice the "soul" of live instrumentation? Or should I just ignore the fact that every singer on stage sounds perfectly like the lead artist, with perfect reverb-heavy blend, and there aren't nearly enough instruments to produce the sounds and parts I'm hearing in the instrumentation? As an artist, where do I draw the line between authenticity and an industry standard performance? "Yo brotha, how'd you get your keyboard to sound like a horn line, police siren, orchestra and piano riff?" IDK <shrug> just talkin'
Live music these days seems to incorporate a lot of pre-recorded material. A bunch of background singers lip-synching pre-recorded harmonies, musicians playing with a track (I'm not just talking click tracks but full band tracks). Pre-recorded lead vocals to support the lead vocalist's sound. I understand the need and/or preference for these things (i think) but how much of this takes away from the actual live music experience? I feel that part of the beauty of the live music experience are the imperfections. Are we so worried about these imperfections that we are willing to potentially sacrifice the "soul" of live instrumentation? Or should I just ignore the fact that every singer on stage sounds perfectly like the lead artist, with perfect reverb-heavy blend, and there aren't nearly enough instruments to produce the sounds and parts I'm hearing in the instrumentation? As an artist, where do I draw the line between authenticity and an industry standard performance? "Yo brotha, how'd you get your keyboard to sound like a horn line, police siren, orchestra and piano riff?" IDK <shrug> just talkin'
Wednesday, January 16, 2013
Saturday, February 4, 2012
INSIDE the NEW ALBUM Isms & Ologies
As a release date is being decided for my up and coming album "Isms & Ologies" songs are beginning to be leaked and questions are beginning to fly. One of the biggest questions have been "why isms and ologies?" I want to take the time to explain the creative process and what people can expect from the project.
Isms and Ologies is a term used to describe all the beliefs and ideas man has generated to shape and explain the world around us. The term was coined by author Arthur Goldwag. I decided that I wanted this first project to take on this concept. I believe that reality is perception deep so I decided i wanted the album to be a compilation of beliefs and ideas that shape my world and thus becomes truth and reality as I know it. The songs state boldly "this is how it is" but has a very intentional naive undertone. This undertone is important as it keeps in mind that there is a greater world than that which is perceived in the content of the songs.
My intent with each song was to generate quick photo-stills of the human experience by connecting to my own experiences. As you listen you will visit many dimensions of the human experience. Each experience will seem so different from the next that you will begin to think that the main character (the artist (me lol)) is either a walking contradiction or has multiple personalities. You'll be listening and ask yourself, "which one is Qwes?" By the last note we will realize that all of them are. RealISM and ideOLOGY tend to work together to shape our understanding of the world around us. When listening to the project as a whole, it will be up to the listener to determine what this compilation tells us about the human experience.
I am very excited about this project and I thank you for your support. Release date coming soon!
Qwes
MrQwes.com
Tuesday, January 17, 2012
"Everythang" Mr. Qwes featuring Pete Rock
This is a tribute to one of my favorite producers, the legendary Pete Rock! Always admired his integration of jazz within the hip hop genre. Please enjoy "Everythang"
much luv,
Qwes
much luv,
Qwes
Wednesday, July 6, 2011
First LP
I am very pleased to let you all know that the Qwes Entertainment team is much closer to deciding on a release date for my first LP that will be entitled 'Isms and 'Ologies. Expect the release date to be sometime towards the end of this year. I'm soooo excited to see years of hard work starting to pay off. I wanted to take the time to thank you all for your continued support. I couldn't have done much of it without you!
Below is a prototype for the album cover.
Let me know what you think!
More info to come
much, much, much luv,
Qwes
Below is a prototype for the album cover.
Let me know what you think!
More info to come
much, much, much luv,
Qwes
Saturday, June 11, 2011
PAY YOUR BAND WELL... 6 REASONS WHY
Intro

So you telling me you want me to stop what I'm doing at 5:00. Get dressed up and load up my $1500 keyboard, $400 amp, $100 microphone, $45 mic stand, $50 keyboard stand, 2 $25 cables, and that's just my stuff. Then I have to load up other band members' equipment worth thousands of dollars. Not to mention the equipment is HEAVY. We have to load up and unload TWICE that night. Drive out to your event to get there by 6:30 for sound check. Give a great couple hours of show at 8:00. Sacrifice my weekend. And you want to under pay me? Or WORSE do it for FREE???!!!

If you are a musician then you most likely already know what I'm talking about. But if you aren't, you may not know where we are coming from with this. So because I'm so understanding... I want to explain why it's absurd to ask for this free and under payed labor. I'm not talking about the artist promotional 15 minute performance with a DJ. I'm talking about playing a couple hours at your Frat party, your family reunion, your club... etc.
THIS is 6 reasons you should pay your BAND well!
1. EXPENSES
As previously stated, band expenses are high. The equipment is expensive. Worth thousands and thousands of dollars once you factor in maintenance. Every gig we play takes a toll on our equipment. Things get broken while playing and transporting. I must also mention here that SOUND EQUIPMENT is SEPARATE from BAND INSTRUMENTS. When you ask the band to bring sound you are asking for thousands of dollars more and more hard work and skill. Sound is a craft and trade in itself. People go to universities for four years to learn how to properly work it. Many bands have to pay a sound man if you don't have one. Plus there are traveling expenses. GAS PEPOLE!!! All the same reasons you don't ask your neighbor to mow your lawn with his brand new expensive lawn mower and not offer any compensation. The same reason why you don't show up to work for free.
2. Time
People tend to want the band for between an hour and a half to 3 hours. Factor in set up time, breaks between sets, sound check, loading and unloading, breaking down time, and driving then we have devoted a whole work day to your cause (and usually a weekend day). Anywhere between 5 to 10 hours! Let us also mention rehearsal time here especially if you want to hear a specific song(s).
3. Make or Break
Let's talk about the reason why you want this band. You most likely feel it will enhance your event. You're right! A band adds a special touch that a DJ or CD player can not. A great musician/vocalist/performer has studied their craft intensely for years. This is not just a hobby, it's a trade. This talent has the power to make or break your event. It is your job to get people there and the band's job to keep them there and coming back. We have seen how a bad band can have people running out of the building. So why not show a good band monetary appreciation. Who knows, they may actually want to come back and play again. BTW TIPS ARE WELCOME.
4. Bills, Bills, Bills
Wish it were all about the music folks but sorry. The men and women you want to sing and play all have bills to pay and families to support. That's all I need to say here.

5. We Don't Need an Hour to Promote
Before you tell the band leader, "This is really going to get your names out there! There's gonna be a lot of people there!" let me say this. If you are truly concerned about promoting the band, word of mouth works wonders. However, if you think your event is a great place to be promoted then we don't need to play for 2 to 3 hours for people to decide whether they like us. A 15 to 20 minute slot is good enough. So to you out there, please erase this element from your pitch to the band from now on.
6. You Get What You Pay For
Since when has this not been the case? My band and I give our performances 110% every time. No matter who is in the audience or the type of venue, we give it our all. We all are students of our craft. We leave most events sweating and out of breath. We love what we do and we know that we are always branding ourselves and developing a reputation because there is always at least one person in the audience who has never seen you before. There are good plumbers and bad plumbers. Good technicians and great technicians. Speaking up for anyone with a skill or trade, you should be rewarded for your talents, skill, and all the hard work you put into it. No one should devalue what you do because you do it well and you do something others cant.
MOVING FORWARD
Given all this information I would like to give you some tips if you are thinking of having a band at your next event.
- When working out a price with the band, be prepared with important information that is accurate regarding the event and venue such as: start and end time of event, time the band would need to be setup, type of event, demographic and preferred genre or types of music, relative size of venue, etc. then ask the band leader what his/her rates are.
- If your event has a set budget for entertainment or the band asks you to pitch them an offer, make an offer after considering ALL things. Time, travels, equipment, band's following etc. and compare that to your budget. If you only have enough money to buy a boom box then... buy a boom box.
- Be clear, open and honest. Musicians love what they do and you will find that they are willing to help you out more if you are honest. If you can't promise something for sure then don't promise it.
- Show your band that you are appreciative. If you can provide food, help with equipment and transportation, and make sure they are comfortable--it will go a long way.
- A Happy band makes a more successful event.
Thanks For Reading
and for more always go to
OTHER NOTES and FUN FACTS
-A full polished band can cost anywhere between $1,000-$9,000 depending on the event, band size, and required equipment.
-A small Jazz combo may charge $500 and up (without sound)
-Most national touring acts can cost anywhere between $9,000 to $50,000 or more
Thursday, March 24, 2011
Definition of Musicianship and Performer: Back to Basics
One of the great joys of being a student of music is listening to music from all over the world and making connections. There is an unbelievable wealth of talent out there of ALL kinds! I love watching and listening to other musicians and performers. I feel I'm in a lecture hall and the artist is allowing me to tap into their realm and acquire some new knowledge about my craft.
Though i am grateful for these opportunities to expand myself and learn, lately I have been noticing a trend, especially in younger musicians/vocalists. There you are listening to a performance and there so much styling from the performer that you can't recognize and appreciate the song sometimes.
Music is not all about funny sounding chord progressions, flashy rhythms, vocal runs and melismas, and crazy lines.
IN FACT, I have found that these things go over the heads of most your audiences. I have seen it over and over. A band adds some crazy line randomly in a singer is singing and five musicians in the crowd lose their mind while everyone else stares confused.
OVERALL, I have come to find that 90% of your audience prefers a nice clean performance and for you to simply play or sing the DOG-ON song! This is a lesson I learned as a young musician and vocalist.
REMEMBER. As it concerns music and performance: less is more, play straight until you are given a solo, heaven is in the pocket, choose a line and stay with it, do not attempt something on stage that you haven't mastered in practice, and most of all.... A nice and clean straight performance will beat a messy fancy one ANYDAY
LIVE LOVE and LAUGH
Q
P.S. I do love the fancy stuff... but I find that these things are much more effective when used meaningfully and thoughtfully
Though i am grateful for these opportunities to expand myself and learn, lately I have been noticing a trend, especially in younger musicians/vocalists. There you are listening to a performance and there so much styling from the performer that you can't recognize and appreciate the song sometimes.
Music is not all about funny sounding chord progressions, flashy rhythms, vocal runs and melismas, and crazy lines.
IN FACT, I have found that these things go over the heads of most your audiences. I have seen it over and over. A band adds some crazy line randomly in a singer is singing and five musicians in the crowd lose their mind while everyone else stares confused.
OVERALL, I have come to find that 90% of your audience prefers a nice clean performance and for you to simply play or sing the DOG-ON song! This is a lesson I learned as a young musician and vocalist.
REMEMBER. As it concerns music and performance: less is more, play straight until you are given a solo, heaven is in the pocket, choose a line and stay with it, do not attempt something on stage that you haven't mastered in practice, and most of all.... A nice and clean straight performance will beat a messy fancy one ANYDAY
LIVE LOVE and LAUGH
Q
P.S. I do love the fancy stuff... but I find that these things are much more effective when used meaningfully and thoughtfully
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